Tanz: Susanne Martin, Martina KrauseDramaturgie: Eliane Hutmacher, Elisabeth Leopold2. Oktober2024, Centre Francais de Berlin, 19.00 2 gutaussehende Damen, ein paar kunstwillige Soli, ein paar rührende Duette, ein Minitanzworkshop für das Publikum (freiwillig), Getränke Erdnüsse, Oliven, und wenn ihr Lust habt – ein Partymoment am Ende & alles auf Deutsch & alle sind willkommen. PaarTanz ist Teil… Continue reading PaarTanz 2024
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workshops autumn/winter 2024
13.12.24 – 15.12.24 Solo-Duo-Trio mit Susanne Martin in Bern (more info soon) 15.11.24 – 17.11.24 Solo Improvisation – with a little help from my friends mit Susanne Martin in Bern (english below) Wie werden uns mit Hilfe von Partner- und Gruppenübungen (mit und ohne Berührung) aufwärmen, die eigene Solo-Tanz-Fähigkeit und Solo-Improvisations-Fähigkeit stärken. Wir werden immer wieder… Continue reading workshops autumn/winter 2024
Performance & Book Release “Barefoot Academic Teaching” 2024
link to book publication HEREThis book delves into essential, yet often overlooked, aspects of educational and scientific practices:the involvement of the body in knowledge acquisition and production, the collective nature of creativity, and the potent role of improvisation in all living actions. It is the culmination of a 4-year research endeavour on Performing Arts as… Continue reading Performance & Book Release “Barefoot Academic Teaching” 2024
next performances
Move & Shake: Dance Improvisation as (Un)Learning Practice, Lecture Performance by Susanne Martin 12. Juni 2024, Paris Cité Universitaire, Heinrich Heine Haus, more info soon Was ist Improvisation? Eine Lecture Performance von Susanne Martin 20 April 2024 Salt & Pepper, Festival for Improvisation, Basel, Schwitzerland, more info here Dancing Age(ing), Lecture Performance by Susanne Martin… Continue reading next performances
Newest Article: Embodying Recognition
Dance Improvisation for Scientists My new artistic research article /exposition is in the Research Catalogue (2023) OPEN ACCESS – GO HERE From the perspective of a dance artist and artistic researcher, I trace the details of how and why I created events for scientists to encounter dance improvisation through shared exploration and shared reflection. Interlacing… Continue reading Newest Article: Embodying Recognition
Book reviews of Dancing Age(ing)
Meticulous and rich, the book incorporates theoretical density with practice-based insights. […] Martin’s work supports the wider acceptance of Practice as Research (PaR) in academic settings as a rigorous and comprehensive mode of critical inquiry and knowledge production. Michelle Heffner Hayes in Critical Studies in Improvisation 12 (1) Martin has keen insights into the gaps… Continue reading Book reviews of Dancing Age(ing)