10.06.25 SOLO PARTNERING injection in Bern 1 x 3 hmore info here für Mittelstufe / Fortgeschrittene und ProfisDienstag 10. Juni, 10-13 UhrTANZhAUS Bern Studio, 3. OG, Dalmaziquai 69, 3005 Bern Improvisation as Art in Bern save the date 03.-05.10.25 & 14.-16.11.25more info soon here 08.03.25 – 09.03.25 Improvisation as Art in Rimini Language Engl/Italiano When… Continue reading workshops 2025
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PaarTanz 2024
Tanz: Susanne Martin, Martina KrauseDramaturgie: Eliane Hutmacher, Elisabeth Leopold2. Oktober2024, Centre Francais de Berlin, 19.00 2 gutaussehende Damen, ein paar kunstwillige Soli, ein paar rührende Duette, ein Minitanzworkshop für das Publikum (freiwillig), Getränke Erdnüsse, Oliven, und wenn ihr Lust habt – ein Partymoment am Ende & alles auf Deutsch & alle sind willkommen. PaarTanz ist Teil… Continue reading PaarTanz 2024
Performance & Book Release “Barefoot Academic Teaching” 2024
It’s done! The final publication of our ASCOPET research project, which kept me busy and curious about dance improvisation for engineering students, teachers and researchers since 2018.
next performances
Move & Shake: Dance Improvisation as (Un)Learning Practice, Lecture Performance by Susanne Martin 12. Juni 2024, Paris Cité Universitaire, Heinrich Heine Haus, more info soon Was ist Improvisation? Eine Lecture Performance von Susanne Martin 20 April 2024 Salt & Pepper, Festival for Improvisation, Basel, Schwitzerland, more info here Dancing Age(ing), Lecture Performance by Susanne Martin… Continue reading next performances
some moving images..
Paartanz #1participatory performance by Susanne Martin in collaboration with Martina Krause and Eliane Hutmacher, Centre Francais de Berlin, October 2024 book release performance “barefoot academic teaching” 2024, my research on impro & engineering (ASCOPET) bodies in the making – research impro & engineering (ASCOPET) learning to improvise… research impro & engineering (ASCOPET) dancing with real… Continue reading some moving images..
Article: Embodying Recognition
Dance Improvisation for Scientists My new artistic research article /exposition is in the Research Catalogue (2023) OPEN ACCESS – GO HERE From the perspective of a dance artist and artistic researcher, I trace the details of how and why I created events for scientists to encounter dance improvisation through shared exploration and shared reflection. Interlacing… Continue reading Article: Embodying Recognition
Book reviews of Dancing Age(ing)
Meticulous and rich, the book incorporates theoretical density with practice-based insights. […] Martin’s work supports the wider acceptance of Practice as Research (PaR) in academic settings as a rigorous and comprehensive mode of critical inquiry and knowledge production. Michelle Heffner Hayes in Critical Studies in Improvisation 12 (1) Martin has keen insights into the gaps… Continue reading Book reviews of Dancing Age(ing)