link to book publication HEREThis book delves into essential, yet often overlooked, aspects of educational and scientific practices:the involvement of the body in knowledge acquisition and production, the collective nature of creativity, and the potent role of improvisation in all living actions. It is the culmination of a 4-year research endeavour on Performing Arts as… Continue reading Performance & Book Release “Barefoot Academic Teaching”
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next performances
Move & Shake: Dance Improvisation as (Un)Learning Practice, Lecture Performance by Susanne Martin 12. Juni 2024, Paris Cité Universitaire, Heinrich Heine Haus, more info soon Was ist Improvisation? Eine Lecture Performance von Susanne Martin 20 April 2024 Salt & Pepper, Festival for Improvisation, Basel, Schwitzerland, more info here Dancing Age(ing), Lecture Performance by Susanne Martin… Continue reading next performances
workshops spring/summer 2024
26. – 28. June 2024 Group Improvisation Session with Susanne Martin & Gabriele Reuter Tanzfabrik Berlin Anmelde/Info-Link: HERE 12 – 14 July 2024 at Somatic Academy Berlin Dance Improvisation as Art In this workshop we further our dance and improvisation skills. We study how, when and how much we influence or guide each other while… Continue reading workshops spring/summer 2024
Newest Article: Embodying Recognition
Dance Improvisation for Scientists My new artistic research article /exposition is in the Research Catalogue (2023) OPEN ACCESS – GO HERE From the perspective of a dance artist and artistic researcher, I trace the details of how and why I created events for scientists to encounter dance improvisation through shared exploration and shared reflection. Interlacing… Continue reading Newest Article: Embodying Recognition
Book reviews of Dancing Age(ing)
Meticulous and rich, the book incorporates theoretical density with practice-based insights. […] Martin’s work supports the wider acceptance of Practice as Research (PaR) in academic settings as a rigorous and comprehensive mode of critical inquiry and knowledge production. Michelle Heffner Hayes in Critical Studies in Improvisation 12 (1) Martin has keen insights into the gaps… Continue reading Book reviews of Dancing Age(ing)