Au beau milieu / Au bas mot, 29/30 Dec 2021, Neuchatel, Switzerland
with Peter Aerni, Giacomo Calabrese, Simon Henein, Chantal Langlotz, Simone Marty, Susanne Martin
Archiv der Kategorie: Improvisations
Three Cornered Circle 2020
Stromen 2019
Duet improvisation with Simon Wenger (Basel)
26 November 2019 Stromen & group improvisation with the Frenesi Trio, FIM Basel, Switzerland
29 November 2019 Stromen with participation of Kurt Holzkämper & group improvisation with Instant PIG // Stuttgart, SAAL FREI Stuttgart, Germany
Performing Improvisation – VARIA Festival Sweden 2018
19/20 October 2018 at Konstepidemin Göteborg
Participating artists:
Susanne Martin choreographer, dancer (DE)
Irena Z. Tomažin voice artist, dancer (SI)
Alessio Castellacci composer, voice artist (IT/DE)
Alex Nowitz composer, voice artist (DE)
Hui-Chun Lin musician, composer-artist (TW/DE)
Lisa Larsdotter Petersson performance and visual -artist (S)Video-light installation & video documentation – Christina Hallström filmmaker, visual artist (NL/S) Moderator conversation – Jannine Rivel choreographer, dancer (S)
In collaboration with VARIA
Performing Improvisation with L’Âme de Fonds 2017
Performing Improvisation at Bucharest Contact Improvisation Festival (2017)
22 June 2017, group improvisation performance of the teachers at Bucharest Contact Improvisation Festival, with Steven Batts, Inna Falkova, Elisa Ghion, Sergey Golovnya, Susanne Martin, Virginia Negru, Adrian Russi, Alexandra Soshnikova, venue: CNDB (Centrul Național al Dansului Bucuresti)

Photo Eugene Titov, duet with Adrian Russi
![]() Photo: Alina Usurelu, duet with Virginia Negru |
![]() Photo Alina Usurelu, duet with Adrian Russi |

Photo Alina Usurelu, with Steven Batts, Elisa Ghion, Susanne Martin, Virginia Negru
Duet improvisations with AKiiiM (2017)

Photo: Ulrike Eckel
-10 April 2017, deluxe expérimental performance! at Merlin’s Berlin, venue: Maze, Berlin Kreuzberg
-06 April 2017, Understanding Dance for Beginners and Intermediates: after Loie Fuller at 7 minutes of fame, venue: Stammtisch, Berlin Neukölln
I See Red (Berlin 2016)
I SEE RED / Interventions
An improvisation event by Peter Pleyer and Michiel Keuper
Guests: Zen Jefferson, Andrea Keiz, Susanne Martin
Dock 11, Berlin 11. – 13. March 2016
Inspired by the history of interventions by artists and designers in the field of choreography and vice versa, dancer/choreographer Peter Pleyer and visual composer/designer Michiel Keuper use this series of performances to improvise new space and dance compositions based on their long-term collaboration. On Friday and Saturday they will be joined by video artist Andrea Keiz and dancer/choreographer Susanne Martin. With a focus on process, the audience is invited to witness the creation of a landscape of objects, costumes, dances, books, stories and images.
TIN Pieces (London 2015)
23.10. 2015 Middlesex University London
‘TIN Pieces’ is a playful evening of improvised performance by members of the TransDisciplinary Improvisation Network (TIN) based at Middlesex University and their guests.
Exploring processes of instant composition, within and across dance, music and theatre the event promises to be a lively celebration of all things spontaneous. The evening is shaped through a chain like structure in which ‘scored’ improvisation pieces are linked by open ‘riffing’ spaces alongside interactions with the audience, who will have opportunities to shape the emerging improvisations.
Including world class performers in Music (Ben Dwyer, Garth Knox, Jonathan Impett and Simon Limbrick), Dance (Susanne Martin, Jovair Longo, Helen Kindred) and Performance (anthologyofames collective), TIN pieces emerge from shared interests in improvisatory processes and play, feedback loops, fear and vulnerability, touch and embodied knowing.
With: Mariana Camilotti, Antonio de la Fe, Ben Dwyer, Peter Gomes, Jonathan Impett, Helen Kindred, Garth Knox, Simon Limbrick, Jovair Longo, Susanne Martin, Vida Midgelow, Maga Radlowska, Petra Söör, Robert Vesty,
The Performance is part of The Cultural Capital Exchange, Inside Out Festival, and ‘What’s in a Name?: Improvisation Symposium (Oct 23rd & 24th, Middlesex University)
Korsobad: on Stage – Wagner Trio (2014)
![]() Photos Steffen Rüttinger |
![]() |
![]() |
A series curated by Gabriele Reuter
15.11.2014
Das Wagnertrio: Susanne Martin, Anna Melnikova and Gabriele Reuter
Performing Improvisation 2014
10 July 2014
Duet with Katarina Eriksson and quartet with Gabriele Reuter, Rick Nodine and Katarina at Tanzfabrik Summer Workshop Festival, Venue: Tanzfabrik Kreuzberg
![]() |
![]() |
![]() |
Korsobad: on Stage (2014)
![]() Photos Steffen Rüttinger |
![]() |
![]() |
07.06.2014
Duet with Gabriele Reuter
Solo (work in progress for The Fountain of Age)
Group improvisation with all performers
Ein Abend mit kurzen Tanzstücken, Improvisationen und Live Musik, kuratiert von Gabriele Reuter. Diesmal mit Solos von Susanne Martin, Maria Colusi, Lutz Streun (Saxophon) und Previews der neuen Stücke von Philip Amann und Gabriele Reuter/Mattef Kuhlmey. Danach tanzbare Musik von Montage.
Korsobad: On Stage (Berlin 2014)
Meeting Point Berlin, 24.11.13
Performing Improvisation 2013
Hoppalappa Postfolki Tanzi Teateri 2008 – 2012
![]() Photos Viktor Rahmqvist |
![]() |
![]() |
An improvisational performance project by
Katarina Eriksson (San Francisco)
Susanne Martin (Berlin)
Bronja Novak Lindblad (Gothenburg)
Coaching: Andrew Morrish
Production: Big Wind
Supported by: the city of Gothenburg and Statens Kulturråd
The studio version:
Sept. 2008, Konstepidemin Gothenburg
The stage version:
Premiered 23.5.2009, Atalante, Gothenburg
Performance time: 75 min
Light: Victor Wendin
Touring: Stockholm, Malmö, Berlin
The site specific version:
June 2012 in Gothenburg
At the intersection of folkdance culture and contemporary improvisation culture this international trio indulges in made up and experienced cultural roots, traditions they never had and dances they never learned.
Connecting home is: the practice of improvisation and contact improvisation.
The shared questions are: how much improvisation can a thematically set piece take without bursting? And how much individuality can an improvised trio take without falling apart?
Dressed in Bavarian Dirndl’s, armed with irony, supported by newest improvisation technologies the three dancers dig into our projections and clichés of country living and the traditional. They are odd and familiar in their pride of and will for a self-made nature idyll and in their passionate attempt to include every soul in the room into the warmth of their temporary village.
Press:
“Hoppalappa is a performance you want to experience rather than observe“
“Hoppalappa, an hour long display of exhilaration, strings of associations, of well trained collaboration and of joyful courage towards the unknown. The safety net is called humour.“
“It was a joy to look into the minds of these crazy performers and to be embraced by their warm madness when it’s so damn cold outside.”
Performing Improvisation 2012
GIF – Granada Improvisation Festival 2010
Performing Improvisation – Freistil Spezial
Rosi bei Freistil – Die Kunst der Improvisation (2008/2009)
„Material zu Rosi tanzt Rosi“ Eine Soloimprovisation
Freistil at Tanzfabrik Berlin 6. 4. 2008
Was macht Tanz lesbar für die Zuschauer?
Was ist der Text eines Tanzes?
Wie erhalte ich meine Freiheit in der Improvisation, wenn ich mit klaren thematischen Grenzen und Narration arbeite?
————————————————————————————————————————————————
“Neuigkeiten aus der Rosi-Welt“ eine Improvisation von Susanne Martin
Freistil at Tanzfabrik Berlin 3.5. 2009
“Rosi tanzt Rosi“ ist ein Solo Projekt, dass sich durch 2 Jahre Masterstudium zieht und auch mein Abschlussstück bilden wird.
Für Freistil gibt es das Neueste von Neuen aus Rosis Welt.